Folkway Music -- Acoustic Guitar SpecialistsProfessional Instrument Repair, Fine Fretted Instruments, Custom Flat-Top Acoustics
 
 Instrument GalleryLefty

Last updated: February 26, 2010   Questions? Please email info@folkwaymusic.com.

Please note: These are some of the more notable instruments
that have recently been sold by Folkway Music.
None of these instruments are for sale.

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1986 Fender '62 Tele Custom Lefty
Serial # A070155. A Made in Japan recreation of Fender’s famous 1962 Telecaster Custom, this time in lefty. Hot-rodded here at Folkway with a Gibson Burstbucker in the neck position and a Seymour Duncan Quarter-Pounder in the bridge. New USA pots and switch, Sprague capacitor, Electrosocket jack-mount, extra blackguard-style string tree, slot-head screws, bone nut, and a fret dress. A fantastic playing and sounding lefty tele. Warm and Jazzy in the neck position, fat, bold and bright thanks to that Quarter-Pounder in the bridge. 7.8 pounds.
With gigbag
SOLD

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1965 Fender Stratocaster LEFTY
Serial # 125920. "F" neck plate; June 2 1965 neck date; pot codes (137 6514) date to March 1965; pickups dated June 11, 1965. Lefty vintage guitars do actually exist. We have proof right here in the form of the 1965 Fender Stratocaster shown in these photos... Ok, ok, we know there are others out there, but we so rarely come across them - we have to make a big splash when one comes our way! This one is an early CBS-era Strat, completed in June 1965 (CBS took ownership of Fender at the start of 1965). The guitar shows many transitional features: F-neck plate, Transition logo, Kluson double-line tuners, white pickguard, and pat. pend bridge saddles. The finish is three-tone sunburst nitrocellulose lacquer, and the fingerboard is Brazilian Rosewood. The guitar is in excellent condition and completely original, with the exception of a replacement 5-way switch (the original accompanies the guitar) and a newer bone nut (the cracked original nut also accompanies the instrument). The guitar has very little finish wear and has obviously been well cared for throughout its life. It was purchased by its most recent owner in the early 1970's from a right-handed player who owned the guitar for a week. In his quest to become Jimi Hendrix this righty strung it backwards and installed a strap button on the treble horn. It didn't take him long to learn that you've got to do more than play an upside-down Strat to sound like Hendrix! In any case, there remains a hole in the treble horn from that strap button. We've set the guitar up in shop with .010's, and from one lefty to another - it's a lot of fun. The neck feels great, and the guitar is springy and resonant. 8 pounds total weight. The pickups sound great - and have DC resistances of 5.8 kOhms (neck and middle) and 7.6 kOhms (bridge). The frets are original and show some wear, but the guitar doesn't buzz out anywhere and plays fast. With an original Lefty side-pocket hard case, there's not much more you can ask for.
On Consignment
SOLD

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1957 Gibson SJ LEFTY
FON U2284-11. Possibly a one-of-a-kind instrument, this ’57 Gibson Southern Jumbo is – at very least – impossibly rare. We sold this one years ago, and we’re glad to offer it again. It’s a gorgeous guitar with a perfect feel, and it offers the kind of tone most lefties have never really had a chance to experience. The guitar’s body is near-perfect; there is a very small and well-repaired crack on the bottom of the back, but no other repairs or modifications. The bridge was once slotted for a right-handed saddle, but has been ‘corrected’ since; and the frets were replaced in our shop seven or eight years ago but remain mostly unworn. An old headstock repair is the only category in which this guitar looses points, but it is structurally stable and doesn’t pose any concern to us (in all the years we’ve known this guitar it’s looked the same). It’s a loud and lively guitar, with bold trebles, rich mids, and healthy basses. A perfect vocal companion and a great strummer. We’re not giving it away, but you’ll never find another.
With deluxe hard shell case
SOLD

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1978 Fender Stratocaster LEFTY
Serial # S869017. Alright you lefties... Here's something cool for you! With its large CBS headstock, sunburst body and one-piece maple neck, this is a great looking Strat. It's 30 years old this year, and aging nicely. As straight-up as it gets, there's really not much cover with this one; it has one replaced bridge saddle, a new bone nut (original is cracked, but included), and the treble horn as a screw hole from a righty strap button. It's otherwise completely stock and original, and in excellent condition. Great feeling round neck profile, quality original frets, awesome pickups, and just enough finish wear to look right. Fairly light for a 70's Strat, this one weighs in at 8 pounds and has a good looking and resonant Ash body.
With original hard shell case in similar condition
SOLD

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2001 Sobell Model 0
Our latest left-handed Stefan Sobell guitar is a Model O completed in 2001. We thought we'd seen it all when the Sobell Parlor showed up here a little while back, but I guess we were wrong! With gleeful excitement I restrung this guitar with my favorite strings and then proceeded to spend the next three hours just listening to every note. An amazing guitar, the Model O is a slightly smaller version of Sobell's signature Model 1. The roughly OM sized guitar is as big and loud as you'd expect a Sobell to be, with unimaginable headroom for aggressive fingerstyle or flatpicking. Open tunings, big droning bass notes, melodies on the high strings, or plain old G chords - this Model O does amazing things with any of it. Gorgeous, richly-hued chocolately Brazilian Rosewood back and sides mated with an absolutely top notch Master Grade Adirondack spruce top. To be honest, I don't think I've ever seen a Red spruce top as perfect as this one on any guitar; new or vintage - perfectly quartered, even and tightly grained, and zero runout. Herringbone top purflings and matching rosette; ebony bridge and fingerboard, bone nut and saddle. Gold Gotoh tuners with ebony buttons and a Luthier-installed highlander pickup. 1-3/4" nut width and 25.4" scale length. The instrument is in exceptional condition; near-mint but for a few very small dings on the top and some minor wear under the E and B strings to the first few frets. Perfectly set up. Someone please quickly buy this guitar so I don't have to sell my first born to keep it for myself!
With Calton case
On Consignment
SOLD

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1956 Gibson ES-125 LEFTY
FON V5966-6. Here's a rare and exciting opportunity for our left-handed customers. Factory left-handed, and in stunning MINT condition, this guitar has definitely benefited by being unplayable to the average right-handed guitarist! No modifications, no issues, no scratches, no fretwear... we can find absolutely no flaws or faults on this guitar other than a couple of insignificantly small dings, and new replica tuner buttons. Completely original and beautifully set up, this will certainly be among the highlights of any lefty's collection. 16" wide maple laminate body, single P-90 pickup, Brazilian rosewood fingerboard and lefty compensated bridge, original Kluson tuners. 24.9" scale, 50's Gibson neck with original bone nut and 1-11/16" nut. Blues or Jazz are what this guitar loves to play, but we're sure you'll find ample versatility in the instrument's tone. Original hang tag is included, as well as the original alligator brown case.
On Consignment
SOLD

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1933 Martin 0-17 LEFTY
Serial # 52791. One of a very small handful of pre-war factory left handed Martin guitars, and likely the only one with shaded lacquer finish on all surfaces (shaded is Martinspeek for sunburst). This guitar is built and braced left handed, unlike most vintage lefty flat-tops built by other companies; and is fitted with original full-height lefty bridge, pickguard, side dots, and ebony nut. Built in early 1933, this instrument features the all-gold first incarnation of Martin's headstock logo, C.F. Martin stamp on the headstock rear, and bar frets. It is completely original except for the new fossil ivory saddle and vintage-reproduction bridge pins. It has had a "California" neck set sometime in it's not too distant past, and has had a pair of side cracks repaired more recently in our repair shop. No top cracks, three very minor back cracks associated with the neck-angle repair, and original finish throughout. Comfortable Golden Era soft V neck profile with 1-3/4" nutwidth. 24.9" scale length; action of 5 to 7 64ths. Exceptionlly fine all-mahogany tone; snappy and crisp, dry and open. A wonderful fingerstyle guitar, and a truly unique instrument for one very lucky left-handed guitarist. This instrument is featured on page 388 of John Engel's two volume "Uncommon Sound".
With original case.
SOLD

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1964 Harmony Meteor LEFTY
An ultra-rare, super cool, 1960's lefty Meteor. Complete with DeArmond pickups, this guitar sounds huge and loves to rock out. New jumbo frets, replaced Kluson tuners (once had Grovers on it, so the bushings are oversized), newer funky control knobs, and no pickguard. Replacement ebony bridge base and Tone-Pros tune-o-matic bridge are a very nice upgrade, and really make this old bird sing. Excellent action, and modern tuneability.
With new deluxe TKL hard case
SOLD

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1978 Fender Musicmaster Bass Lefty
Serial # S818568. Fender introduced the Musicmaster Bass in 1970 as an entry-level student model instrument directly below the Mustang in its lineup. The Musicmaster featured a short 30" scale length, single pickup, curved rosewood fingerboard, and a no-frills look. By the time this one was built the model was only offered in white or black, and by 1983 the Musicmaster line was abandoned. The instrument pictured here is in excellent condition and well set up. It has a few finish dings here and there, but is otherwise without issues and completely original. Best off, it's a factory lefty! Pictured here with matching amplifier (available separately)
With hard shell case
SOLD

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1961 Gretsch 6117 Double Anniversary Lefty
Serial # 42186. Ultra rare and ultra cool - that's how we like to describe any left handed vintage Gretsch. This time we're talking about a 1961 Sunburst Double Anniversary. The Anniversary model was introduced in '58 to commemorate the Company's 75th birthday, and the "Double" refers to the 2-pickup model. Full hollow cut-away 16" body, laminate maple body sunburst finished on all sides, Hi-Lo 'Tron pickups, unbound 24.5" scale ebony fingerboard with pearl thumbprint inlays, maple neck, chrome hardware. This guitar has had a pro neck reset and plays perfectly. Aside from a newer bone nut and a couple of replaced tailpiece screws this guitar is completely stock and 100%. It's gorgeous, and it's a lefty; what more is there to say?! Oh... you'll get the original "OK Card" hang tag with the guitar!
With original hard shell case
SOLD

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2005 Sobell Parlor Lefty!
There are more than a few things uncommon about this guitar. First off, it's a Sobell. The very respected northern English luthier has been building instruments one at a time for more than 30 years; his instruments are rare (particularly so here in North America), and among the most desirable fingerstyle guitars on earth. Second, it's a Left-handed Sobell - so multiply that rarity by a hundred or more. And third, it's a Brazilian rosewood and European spruce Parlor model - a proportionally scaled-down Model 1 in size and design, but with a full-length scale. The instrument was custom ordered with exquisite old-world Brazilian rosewood, a European Spruce top Stefan Sobell had been saving since the early 1970's for the right instrument, and a Cuban Mahogany neck. Typical of the Model 1 theinstrument features multicolored purflings and stylized herringbone marquetry, all of which are perfectly mitered and inlaid. Like all Sobell "Flat-tops" the top and back have pronounced arches, a design which helps achieve the trademark powerful and rich tone of Sobell's instruments. The instrument has clear and distinct basses and mids robust trebles, and a full voice at any volume. A light touch can coax plenty of subtly out of the small instrument, but dig in hard, and you'll be rewarded with a powerful and strong sound; there is an amazing amount of headroom in this design. This instrument is in showroom new condition. It shows no playwear or markings of any kind. It is fitted with a Highlander pickup, gold Gotoh tuning machines, bone nut and split saddle, ebony bridgepins, and gold strap-button. About the size of a Martin 14 fret 00-28, the guitar's body measures 14 1/4" wide at the lower bout. 25.6" scale length, 1-25/32" nut width, and wide bridge string spacing of 2-1/4".
With custom fitted Calton case
On Consignment
SOLD

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1969 Guild M-20 LEFTY
Serial # AH-2529. Guild's M-20 model was the all-mahogany version of their top-selling F-20, available during the Folk Boom of the 1960's. Basically comparable to a Martin 0-17 in design, feel, and tone, the M-20's body is unadorned and has a very simple rosette. Solid mahogany back and sides, Brazilian rosewood fingerboard and bridge, and deep red gloss lacquer finish. This rare lefty version is in excellent condition. It has no cracks and shows only modest finish wear. The plastic head veneer is listing a little bit between the nut and truss-rod cavity, but it's not unsightly and is the only flaw we can find. Completely original except for a replacement bone saddle, this guitar looks and feels just right; and it's nice to be able to offer an affordable vintage lefty flattop for a change! Original frets are in good shape, and the instrument is set up nicely with action of 6 to 7 64ths. Without modifying the bridge lower action is not possible though, so "fingerstyle action" is not what you're getting with this guitar. Nice small-body tone, quite similar to an 0-15 from this period. Comfortable c-shaped neck with a 1-5/8" nut width and 24.7" scale length.
With newer hard shell case
SOLD

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1974 Fender Telecaster LEFTY
Serial # 587764. Everyone knows how rare vintage Left Handed guitars are, so imagine our excitement when we first laid our eyes on this super-clean '74 lefty Tele! It's 100% original and untouched - minus the missing ashtray bridge cover and a new bone nut that we made (the original was cracked and too low). No modifications, original pickups, pots, switch, and solder joints. Original tuners, pickguard, bridge, saddles. And it weighs in at a light 7.3 pounds! Resonant ash body, nice original finish, perfect original frets, and well set-up in our shop.
With new Fender Custom Shop black/red HSC
SOLD

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1968 (circa) Martin "Employee" 00-28 LEFTY
Yes, it's factory left handed; yes it has Brazilian Rosewood back and sides; and - yes - it was built in the Martin factory, but like all "Employee-built" Martin guitars this instrument does not have a Martin serial number or bear the familiar C.F. Martin & Co. logo on its headstock. Back in the days of the 6-digit serial number, Martin employees were permitted to "build" instruments of their own design when off-shift. They would use Martin parts in the construction of these instruments, and the finished products would be - essentially - Martin guitars, but would generally differ from those instruments found in the Martin catalog. Such is the case with the particular lefty 00-sized guitar pictured here. It was built with three-piece back and sides of richly hued Brazilian rosewood; lefty-braced Sitka spruce top complete with small rosewood bridge-plate (a la 1968); a twelve-fret neck with 24.9" scale, chucky 1-7/8" width and slotted headstock, and Brazilian rosewood fingerboard and rectangular bridge. As far as appointments, this instrument is a hybrid of styles ranging from 16 to 45. The top's edge is bound with Style 21 5-ply purflings and black outer binding, and the abalone pearl rosette is Style 41 and higher. The three-piece back suggests Style 35, but its lack of binding is reminiscent of the Style 16 New Yorkers that were being built at the same time as this guitar. The fingerboard and dot pattern are Style 21, and the bridge was built for a Style 16 or 21 New Yorker. Finally, the bridge and end-pins are Style 21 (Black with white dots), and the end-graft is Style 28. So by now, I'm hoping that you're wondering why we've called the guitar a 00-28, if only the endgraft (that little wedge inlaid into the bottom of the guitar that the strap button sits in the center of) says Style 28. Well, it's because the fellow who built it wanted us to; he stamped the neck block 00-28! Inside, the guitar is initialed A.F.S. 6.2.71 and although we assume the guitar was completed June 2nd, 1971, we're still calling it a '68 as the materials used and the size/shape of the bridge plate are suggestive of that year. The headstock is inlaid with LMS in pearl, and we have been told these are the initials of the wife of the Martin Employee who built the instrument.

The instrument is in excellent condition. There are no cracks and no scratches in the finish. We have fitted a replacement tortoise-shell celluloid pickguard to the top, re-fretted and set up the instrument, complete with a new bone saddle. The action is fingerstyle-low, with a full-height bridge and enough saddle to lower the strings well into the buzz-zone. Original Grover tuners and original ivory nut. It's a very loud guitar, with big full trebles and piano-like resonance. It is, after all, a Martin.
With original chipboard case
On Consignment
SOLD

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1999 PRS Custom 22 Lefty
Serial # 9 42740. This lefty Custom 22 was ordered in Black Cherry finish, with 10-top, abalone bird fingerboard inlays, gold hardware, and intonateable stop-tailpiece. It's a fabulously striking guitar, with deep flame in its maple top and nicely accentuated by a royal combination of ruby and gold. The instrument is in perfect condition - there is not a scratch on it - and its set-up is slinky fast. Mahogany body and neck, wide-fat neck carve, PRS Dragon II humbuckers with rotary 5-way switch. 7.3 pounds light and very resonant, this guitar sounds as good as it looks.
With original hard shell case
SOLD

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2006 Gibson Custom Shop Historic Les Paul R8 VOS Lefty
Serial # 8 6432. It is a 2006 model from Gibson's Custom Shop. A faithful 1958 reissue, complete with VOS (Vintage Original Spec) components and design - from the long neck tenon, mildly aged looks, nitro finish, sexy plastic parts, bumble-bee capacitor, solid one piece mahogany back and mildly figured maple top. The neck is awesomely comfortable, and the guitar weighs in at a svelte 9.17 pounds total. Acoustically, it's an incredibly resonant instrument - which always translates to a killer amplified tone - especially when its voice is coming from a pair of Gibson Burstbucker pickups. This guitar does exactly what Les Pauls are supposed to do. And it's so much fun to play. It's sold with all its original documentation, hang tags, patch cord, and hard case.
SOLD

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2000 Gibson Les Paul Classic "1960" Lefty
Serial # 034322. The Classic combines vintage and modern features to give the Les Paul player an instrument that feels and looks like a 1960 Paul, but has the scream and articulation of modern high-output ceramic magnet humbuckers. 60's slim taper neck profile, 17 degree headstock pitch Kluson tuners with green keystone buttons, and nickel hardware. 496R neck pickup and 500T bridge pickup. Single piece mahogany body with maple cap. Vintage sunburst lacquer finish. Set up in our shop with 10's, it plays great. Frets and neck are in excellent shape. Some minor wear on the back, otherwise in excellent condition.
Original hard shell case included
SOLD

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2002 Gibson Historic 1958 TV Les Paul Jr. LEFTY!
From the Gibson Custom Shop, Historic Division, comes this wonderfully recreated 1958 TV Les Paul Junior... in lefty! The Junior was introduced in 1954 with a price tag of $49.50, but original examples of these instruments are selling for more than 100 times that, TV yellow models twice as much still - and best of luck finding an original Lefty! The Gibson Custom shop has done a great job with this historically-accurate instrument. The single-piece mahogany body is a full 1-3/4" deep (just like the originals) with a long-tenon set-in Mahogany neck. The fingerboard is quartersawn Brazilian rosewood and is fretted with late 50's style wire. The neck, of course, is a perfect fit with its 1-11/16" nut width, 50's big chunky-round profile and 22 frets to move though. The hardware is all nickel-plated, and includes the lightweight aluminum wrap-around bridge/tailpiece made famous by the original Les Pauls, and a single P-90 pickup with tone and volume controls. The Nitrocellulose lacquer TV finish is incredible, with 100% vintage correct color and translucency. To top it all off, Gibson gives its Historic division guitars serial numbers akin to the originals, stamped in black ink on the back of the headstock; this one is #8 2538. Magically balanced, the guitar is a featherweight, too, weighing in at just 7.1 pounds. Sold with its original vintage-repro hang tags, certificate of authenticity, and custom hard shell case.
SOLD

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NEW Hofner Jazzica LEFTY!
We are not currently Hofner dealers, but we make every effort to have the finest selection of good lefties. A local dealer ordered this awesome jazz machine for a customer who never returned, and then brought it to us because, well, it's all backwards! Lucky us! Beyond cool, and one of the most fun-to-play lefties we have had. Featuring a hand-carved solid German spruce top, with nice contemporary f-holes, body of highly figured maple, unique wedge profile making it super comfy while retaining a full acoustic voice. Then there's that pickup... I don't know who makes these, but they are among the best sounding floating pickups I have heard, sweet and full for quiet passages, but gutsy when you need to dig in. Fingerboard, bridge, sculpted finger-rest and tailpiece all of black ebony. The nut measures 43mm, or a little more than 1 11/16". The body is 15 5/8" wide. This instrument is new, and is offered with full warranty, and in its super deluxe case with built-in humidity gauge and humidifier. A very exciting opportunity for us to offer a premium jazz box to our lefty customers.
SOLD

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1957 Gibson SJ LEFTY!!
There will soon be a real lucky lefty somewhere out there... but just one, as vintage left-handed instruments are as easy to find as a needle in a haystack! This is a 100% original, factory left-handed 1957 Gibson Southern Jumbo! It's body is crack-free, with original finish, Brazilian rosewood bridge, and original nut and tuners. The tuner buttons have been replaced, as has the saddle (it's a bone one that we made for it). There's also an old repaired headstock crack, which is a bummer, but it's solid and not glaringly obvious. The neck feels glorious; and the tone is most likely something that you lefties have yet to really experience. We have trouble believing it too.
With original hard-shell case.
SOLD

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1965 Gibson ES-330TD Factory Lefty
Well...

Yes, it is Factory left-handed. And yes, it is a 1965 Kalamazoo-built, Gibson ES-330TD. And yes, it is as rare as you think it is. We aim to please all of our lefty customers here at Folkway!

Gorgeous sunburst top, Chrome-cover P-90's, 100 % original wire harness and all components. Original frets, tailpiece and pickguard. Original ABR-1 Bridge with plastic saddles has been replaced with a new ABR-1 with brass-saddles for increased sustain and better tone all-around; the original is in the case though. Two newer knobs, and proper replacement Kluson tuners with aged keystone buttons. Fast, slim neck - a breeze to play. Near-invisible and very professionally done headstock repair. Factory-installed neck-side dots on both righty and lefty sides are an interesting feature.
Original hard-shell case included
SOLD

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Contact Folkway Music --
Mail: 163 Suffolk Street West, Guelph, Ontario, Canada N1H 2J7   Directions to Guelph/Folkway Music
Telephone: (877)763-5524 toll-free or (519) 763-5524
e-mail: info@folkwaymusic.com
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