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1996 Gibson ES-165 Herb Ellis
Serial # 90666478. Essentially a modern version of the single pickup ES-175, the Herb Ellis model filled a much missed hole in the Gibson lineup upon its introduction in the early 1990’s. Fitted with a PAF inspired humbucker in the neck position, these early Herb Ellis 165’s remain one of the most popular Jazz boxes in modern Gibson history. Unfortunately, Gibson redesigned the model a few years back and the newer Johnny-smith pickup versions just aren’t the same. Just like the original ES-175’s this guitar features are cut-away laminate maple body, 24.75” scale mahogany neck, bound rosewood fingerboard with double parallelogram inlays, and volume and tone controls. This sunbust example is in near perfect condition and appears to have been very seldom used. It’s freshly set up with flat-wound 11-50’s and fast action. A wonderful guitar.
With original hard shell case
$2295 (US $2195)
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2007 Gibson J-185EC
Serial # 00367023. With its maple back and sides, 5-piece curly maple and walnut neck, pearl inlays and gold hardware this is one flashy Gibson. The 16” J-185 is the modern version of the vintage classic, and is fitted with a Fishman Prefix Plus-T pickup system. This one is in lovely condition minus a repaired center-seam split (it’s hard to see in the photos). Hardly used and nicely set up.
With original hard shell case
On Consignment
$1799 (US $1739)
$1859 (US $1799) with credit card
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2007 Gibson ES-335
Serial # 01027705. Think of a brand-new ES-335. Now think of a brand-new ES-335 that someone else owned for two years, that was never played, and then was brought to Folkway to be set-up and sold. There you go. Not much else to tell you here… It’s mint, plain and simple, and plays perfectly. Dot neck, cherry lacquer finish, nickel hardware, and original hard shell case and tags.
On Consignment
$2499 (US $2429)
$2579 (US $2499) with credit card
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2007 Gibson '42 J-45 Legend "Banner"
Serial # 00637008. Gibson introduced the original J-45 in 1942 and it has
been a songwriters companion ever since. The next sixty years would see
many changes at the factory (not all of them positive); so, the J-45 Legend
represents a sort of coming home for Gibson, in an attempt to recapture the
company's golden era.
Just about every aspect of the guitar's construction is period appropriate,
from the neck joint to the hide glue keeping it all together. The
lightweight, wide "X" brace allows the top to vibrate with ease, ensuring
good projection. The Legend sounds bright and articulate with pronounced
trebles and tight, snappy bass - and given 60 years should open up to sound
a lot like the original Banners we covet today. Bridge and fingerboard of
Madagascar rosewood; back and sides of Honduran Mahogany and the radiused
top is Adirondack spruce. The nut width is 1-3/4" and the neck has a beefy
D profile with a subtle V ridge down the centre. The firestripe pick-guard
is glued to the top under a thin tinted nitrocellulose lacquer, giving the
guitar an aged look. Bone nut and saddle, aged tuner buttons and pins. It
has been set up by Folkway with a comfortably low action of 4 to 6-64ths at
the octave. An excellent guitar for songwriters and collectors alike.
With original "Red-line" vintage reproduction hardshell case.
On Consignment
$5149 (US $4999)
$5299 (US $5149) with credit card
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1934 Martelle Deluxe
Find another like it! This Martelle De Luxe is essentially a Gibson Roy Smeck Jumbo with a different headstock. It has been expertly converted from Hawaiian to standard style. Similar to Gibson's 1934 Jumbo, this instrument has a near-uniform depth of 4-5/8 inches to 4-3/8 inches, a 3-3/4" sound hole, small period sunburst top finish, and short scale length. It has two scalloped tone bars and a huge voice. The conversion, which included reshaping and narrowing the huge neck, installation of a truss rod, new fingerboard and frets, filling and re-routing the saddle slot for correct intonation, and a new nut and saddle was very professionally done. The neck is comfortable to play, and has an aged finish that is particularly well matched to the guitar. With perfect action, simply Awesome tone, and one of the most beautiful sunburst finishes out there, this instrument is tough to beat. This Jumbo has a huge and open voice, strong, sweet trebles up the neck, and rich, complete basses. It is a very lightweight guitar, and has a quality of tone that can't be found in most other guitars on the planet. The Martelle features mahogany back and sides, Red spruce top, 1-3/4" nut, 2-3/8" string spacing at the bridge, 24.75" scale length, original full-height lacquered bridge and action of 5 to 6 64ths at the 12th fret. It is in excellent condition with the exception of a repaired top crack below the bridge (and minor finish touch-up), and a patch to the bridge-plate.
Period hard-shell case included
On Consignment
US $9999
US $10,300 with credit card
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c. 1937 Gibson HG-00
FON 3328-17. Certainly among the finest examples of the 1930's HG-00 in existence, this guitar's condition is nothing short of miraculous. This one obviously remained unused through the years, likely thanks to the original Hawaiian set up that it arrived at Folkway with some time ago. Our repair department has just completed converting the instrument to Spanish style; a modification that includes resetting the neck, repositioning the saddle for proper intonation, and replacement of the original high nut. The workmanship is befitting of the guitar's condition, we're proud to admit, right down to the aged replica bone nut and saddle carved and installed. And for or posterity sake, we'll provide the guitar's original high nut, saddle and un-worn frets to its new owner.
Without any cracks, finish issues, loose braces, or repairs the guitar is flawless in every way. There is no wear on the gears of the original brass Grover tuning machines; there is no pickwear, there is no case-rash, the bridge has never been shaved, and the bridge plate is unworn. The only reason we replaced the original frets was to deal with excessive neck relief - and we even toyed with the idea of reinstalling the original frets! Yes, this is definitely THAT kind of guitar.
The HG-00 was a 12-fret L-00 with a wide 1-7/8" nut and no truss rod. They were built slightly heavier than their Spanish equivalent (L-00), but are quite lightly built by today's standards . Compared to an L-00 of similar vintage, expect a more pronounced mid-range, and likely a bit more headroom from this HG. It is a perfect choice for ragtime, or any one of your favorite John Hurt tunes... The guitar is currently set up with light strings and an action of 4 to 7 6ths at the 12th fret. The V neck isn't small, but if you're into wide necked guitars you'll surely love the way this one feels.
With original chipboard case
$5149 (US $4999)
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1961-2 Gibson SG Special
Serial # 50302. We're calling this one a '61-'62 Special because the serial number dates to 1962, but all the components and design elements are 1961 specific; and it makes a big difference. The pot codes date to the 40th week of '61. The wrap around bridge is nickel-plated lightweight aluminum - without compensation ridges, and the neck joint transition is smoothly feathered - these are all features that differentiate the '61 models from those a year younger. Why this guitar has a 1962 serial number is a
mystery, as it is clearly a 1961 model. The instrument is a one-owner guitar, and in completely original condition. All solder joints are intact, as are the original tuning machines, truss-rod cover, nut, frets, pickguard, P-90 pickups, knobs, and finish. There is a spot of wear by the output jack
and a small chip in the headstock that was glued back on in 1962. The neck is in great shape - no cracks at the body or headstock, good angle, and original frets with not too much wear. The set up is excellent, and the guitar plays fast and smooth. The '61 neck carve was wide and thin (1-11/16" at the nut), and built for fast lead work. The P-90's are strong,
and measure 8.1 kOhms (neck), and 7.8 kOhms (bridge). The cherry finish has strong color, and is in great condition throughout; a few dings as scratches here and there, but nothing excessive, save for the aforementioned wear by the jack. It's a dream to play, and sounds incredible. Weighing in at a
svelte 5.9 pounds total, you'd be hard pressed to find a lighter and more resonant SG.
With non-original case (he threw out the chipboard case years ago!)
On consignment
$6499 (US $6295)
$6699 (US $6499 ) with credit card
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1948 Gibson L5 Premier
Serial # A-2433. Fitted with a Venetian cut-away in 1939, the L-5P was the world’s first cut-away f-holed arch-top guitar. The cut-away design proved immediately popular and many new models would be offered as such in the years immediately following the War. This L-5P is a lovely guitar – both in looks and tone. From the multi-ply headstock binding to the engraved gold and nickel tailpiece this guitar says what it says with more class than most. Deep, rich sunburst finish accentuates the figured Maple and spruce, while pearl ornaments dress up the fingerboard and headstock. Neck-setted and refretted, the guitar is well set up and plays nicely. Original Kluson Sealfast tuners work without issue. There is a very minor check in the heel and some spot touch-up work associated with the neck set; the pickguard has been rebuilt with new tortoiseshell celluloid and the original binding; the bridge is a period-correct Gibson part, but not original to the guitar, the tailpiece is missing the Varitone tension adjuster, there are two extra screw-holes from other pickguard mounting brackets, and there is a 3” length of back center-seam that has been glued. Apart from this collection of minor flaws the guitar is intact and in wonderful condition. Fast round neck profile with a 1-11/16” nut. Brazilian rosewood fingerboard (not ebony) has a scale length of 25.5”.
With newer Gibson hard case
On Consignment
US $12,995
US $13.395 with credit card
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1994 Gibson '34 Roy Smeck Radio Grande
Serial # 90914020. Centennial Series, Limited Edition, #42 of 100. The original Roy Smeck Radio Grande was designed in reaction to the burgeoning Hawaiian music craze in the early part of the 20th century. Played on the lap and crafted with a straight saddle and raised nut, many of the original Roy Smeck models have been converted to standard Spanish style. The modern '34 Gibson Roy Smeck Radio Grande re-issue saves you the added step of that conversion! Set up with an action of 5 to 7 64th at the 12th fret, this sloped shoulder Smeck plays with ease, and sounds open and alive. The trebles sparkle and the basses have a defined presence that promise more depth the more it is played. With scalloped braces, a small bridge plate and a uniform 4-1/4" extra-deep body with rosewood back and sides, it is little wonder that it sounds good. With it's 1-13/16th nut width, and 12 fret modified V-shaped neck, the guitar may be a little large for smaller hands, but thanks to its 24-3/4" scale length and low action this guitar is a joy to play for those of us who like larger necks. Gibson accurately captured the look of their pre-war Radio Grande in designing this guitar. The fire-stripe tortoise pick-guard, butter bean Kluson-style tuners, through-saddle and Nick Lucas style inlays are what give this modern guitar a convincing vintage vibe. It is in like-new condition and comes with its certificate of authenticity signed by the acclaimed luthier (and builder of this guitar) Ren Ferguson, and a sterling silver commemorative plaque on the back of the headstock.
With original hard shell case.
On Consignment
$2879 (US $2799)
$2969 (US $2879) with credit card
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1966 Gibson ES-330TD
Serial # 804387. This is a near-mint, all original '66 330. The 330 model has the same looks and styling as an ES-335, but is completely hollow and has P-90 pickups rather than humbuckers. This example is a one-owner under-the-bed guitar that has just surfaced here in Folkway-ville. Brilliant unfaded finish, almost no playwear, strong P-90's, and perfect frets. 1-9/16" nut, comfortable neck (it's small, but nice and round, fitting perfectly in your palm"), and nicely set-up in shop. When guitars are this clean, there's really not much to tell you about! The pictures should tell the story well.
With original hard shell case
On Consignment
$3550 (US $3450)
$3656 (US $3550) with credit card
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Calton Cases
There is no commercially available case that will protect your instrument better than a Calton. They cost an awful lot, and they're worth every penny. They also can now be ordered directly through Folkway Music. We usually have standard model cases in stock (Martin D or OM, for example), but are happy to help ease the process of ordering a custom-fitted Calton for your instrument. Many color choices and combinations are available, and any instrument - no matter how bizarre - can be successfully fitted. Please call for a quote.
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1936 Gibson Trojan
FON possibly 489C-13. In the evolution between Gibson's original Jumbo and J-35 models was a short-lived and un-cataloged guitar listed as "Trojan" in Gibson's ledgers. It was an austere guitar, similar in looks to a J-35, but with an unbound back and a smaller diameter soundhole. The earliest Trojans had deep un-tapered bodies similar to the Jumbos; while the later Trojans had tapered bodies dimensionally similar to the J-35 models. All had tops with 3-3/4” diameter soundhole and triple un-scalloped tone-bar bracing.
This particular example appears to have been refinished by Gibson sometime around the early 1970’s, we suspect. The bridge, pickguard, and tuners were likely replaced at the same time. Since then, the top has cracked in numerous places, and an impact left a 2 inch square hole in the top (two thirds of this missing piece was salvaged, see detail photo). The top’s bracing is mostly intact, but there are a couple of cracked brace ends, a repair to the X-brace, some extra wood added around the original bridgeplate, and an extra finger-brace supporting an old crack repair. The back and sides are pretty much issue-free. There is one small back crack, and nothing mentionable on the sides. The neck, fingerboard, frets and nut are factory original; the nut has never been off, and we suspect the neck was not removed for the refinish work. Technically, this guitar can be made playable with a bridge reglue and top crack repairs; but we’d suggest more extensive restoration, of course. It should sound huge when it’s up and running.
This guitar is offered for sale AS-IS, with beat old hardshell case.
On consignment
$4119 (US $3999)
$4250 (US $4119) with credit card
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1938 Recording King L-00
FON DW-1212. The super-rare Recording King Carson Robinson /Model K has the body and neck of a standard Gibson L-00, but is ladder-braced, has no
truss-rod, and a slightly different pickguard outline. This is a knockout of a guitar that we simply can't spare the time to work on. It's in
excellent condition, but for a small back crack, a pickguard margin crack, and a short crack between the soundhole and the fingerboard. The guitar has
its original lacquered bridge, and original bone nut and saddle, but is without tuners, and bridge pins. Repairs needed include fixing th
aforementioned cracks, resetting the neck, and setting up he guitar. The ladder-braced top is quite bellied as you'll see in one of the photos,
below. An option to explore would be to re-brace this top with X-bracing. A marvelous guitar with a great deal of potential.
$1449 (US $1399)
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1939 Recording King M-5
FON EW-1577. Funny to think that some of the fanciest guitars that Gibson was building in the late 1930's weren't branded Gibson! Similar to the Ray Whitley Jumbo we posted a little while back, the M-5 was the king of Ward's archtop lineup. Step aside L-12, the Recording King has got you beat! The M-5 is the rarest, fanciest, and most expensive of all Recording King archtops, and not a heck different in build than the L-10 or L-12 models. 17" wide body, parallel braced carved spruce top, maple back and bird's eye figured maple sides. Multi-ply bindings on the top, back, sides, and neck. Gorgeous sunburst finish, notched D'A'esque headstock with pearl block and silk-screened ornaments; 5-piece maple and mahogany neck with bound Brazilian rosewood fingerboard and pearl diamond inlays; matching rosewood bridge. Nickel tailpiece, bound firestripe celluloid pickguard, and Kluson tuners. C-shaped neck has a nut width of 1-3/4", 24.75" scale length, and a non-adjustable truss rod. Finishwear on the back of the neck, and uniform light fret wear - this guitar was clearly used for jazz. In excellent condition, crack-free, and completely original, this is both an interesting collector's guitar, and a great player. Set up in-shop, it plays as nicely as it looks.
With original hard shell case
SOLD
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1948 National 1160 / Gibson LG-3
Serial # V9147. The National 1160 is, essentially, a Gibson LG-3 with a different headstock, pickguard, and bridge. The model was offered between 1947 and 1951, but it is unknown how many of these were built. Gibson shipping totals do not specify how many instruments were supplied to National. What is known is that the LG-2 out-produced the natural-finish LG-3 by a 3-to-1 ratio, and not very many of them were sent westward to Chicago for National branding. The guitar pictured here is nearly 60 years old, and is in remarkably fine condition minus a cleanly repaired minor endpin-crack (mostly invisible from the outside of the guitar). Its LG-3 body is built from Sitka Spruce and mahogany, with scalloped bracing, a small rectangular Brazilian rosewood bridge, and 3-ply counter-top faux-mahogany grained pickguard (really quite avant-garde for 1948). Its neck is very obviously a Gibson build, with a war-time Banner shape, and no truss-rod. It's a big neck. It has a Brazilian rosewood fingerboard with pearl dots, and a bone nut measuring 1-3/4" wide. The bridge is a replacement built in our shop - the original's saddle was located improperly, and was made from a sub-standard piece of rosewood, but we'll include it with the guitar. The guitar has had a professional neck reset, and plays very comfortably with action of 5 to 7 64ths. Original finish, tuners, nut, and frets. Loud, warm and punchy, it's an LG-3 after all, and a good one at that.
With period brown alligator case
SOLD
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1930 Kel Kroydon
FON 9854. Gibson offered the Kel Kroydon line in the first part of the 1930's but appears to have abandoned the brand as the depression worsened. All of the Kel Kroyoens that we've encountered have dated from 1930, and have had FON's in the 9000's. The KK's are identical in build to the Gibson L-1's of the era, but have smaller necks without truss-rods. Many players prefer these instruments to their Gibson counterparts thanks to how much less they weigh without steel truss-rods, and the effect that this light weight has on tone. These guitars rumble even under a light touch and the notes jump from the soundhole with an immediacy that you've likely never experienced in a flat-top guitar.
This particular Kel is an exceptional guitar that has been recently neck-setted and freshly set up; it sounds and plays like a dream. X-braces Red Spruce top, mahogany back and sides. Single bound top, simple rosette, Brazilian rosewood board and original full-height bridge. Original tuners, nut, frets. Back, sides, and headstock rear have been professionally and accurately refinished. Top finish is original, but has had French-polish touch-up; headstock face is original. Note that the photos of the guitar's back falsely accentuate the pores in the back's mahogany. One repaired back crack, no top or side cracks; a few reglued braces inside; 15th fret dot is replaced. 2 pounds 11 oz total weight - one of the lightest guitars we've encountered. Low C neck profile, with a nut width a hair wider than 1-11/16", and a 24-3/4" scale length.
With newer hard shell case
On Consignment
SOLD
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1939 Gibson J-35
Serial # EG-3490, no FON. A family owned guitar since new, this J-35 was brought to us by the son of the original owner; who lives about 15 minutes from the shop. This is a wonderful J-35; it’s quite powerful and very well balanced – tonal hallmarks of the triple unscalloped tone-bar models. It has been played, to which the original frets and top finish will attest, but the guitar has survived without cracks or loose braces. There have been no repairs of any kind made to this guitar, and none are needed. The bridge is full height, the top is perfectly arched, all braces and bridgeplate are intact and well glued, and the original Kluson tuners work perfectly. The only real flaw we can point out are two 1/16” screwholes in the top’s lower treble bout – no braces are affected, and they pose no concern to us. Set up in our shop and fitted with a new bone period-aged saddle the guitar plays quite well; however, the original frets are quite tired, particularly in the first position, and the D and A strings buzz out at the 12th fret. We would recommend fretwork for this guitar. The action is currently set at 6 to 8 64ths and can be lowered a touch further, even with the full-height bridge. 1939 saw the transition to a round neck at Gibson, but this guitar is fitted with the earlier V neck typical of mid-1930’s instruments. J-35’s are where it’s at for so many of us, and this instrument delivers.
With newer hard case
On Consignment
SOLD
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1929 Gibson L-1
FON 9490. It is impossible to overstate this guitar’s virtues. In addition to being the very model held by Robert Johnson in the famous 1935 Hooks Bros. photograph, it is virtually unused and in factory-new condition. Even the strings are 80 years old. We have not cleaned or adjusted the guitar, oiled the tuners or fretboard, or changed the four remaining original strings. No repairs have been made, and with the possible exception of adding some glue into a minor top center-seam split, none are needed. The saddle is full-height, the frets are unworn, there is no playwear anywhere on the guitar, and the tuner-gears are shiny-new. There is not even dust inside the guitar’s body. Vintage guitars this clean just don’t exist, especially first-year X-braced Gibsons. We can only imagine how few of these early small-body L-1’s were built, and surely most have not survived the years; which adds to the mystique and attraction of this particular instrument. With original strings tuned to pitch the guitar instantly wakes into the richest, woodiest, and most open voiced Gibson you will likely ever play, with overtones a ‘plenty and bell-like harmonics. This is a lightly built guitar – it has the thinnest bridgeplate we’ve ever seen on a steel-string (about .050”) – and the some of the most delicately carved braces. The bracing below the soundhole is typical of an X-braced guitar, but unlike an X braced instrument, there are no upper arms to the main braces. These are replaced by a transverse brace below the soundhole (imagine a V-braced guitar, see photo). We’ve encountered this style of bracing only on the small handful of similar ’29 L-1’s we’ve come across over the years; the following year Gibson flat-tops became braced with Martin-style X bracing.
Bought new by the late Gladys Nelles, a music instructor in Hamilton Ontario, the guitar was played Hawaiian-style for the brief time it was used. Her first son, Raymond, was born in 1933, and the guitar would linger unplayed until now. Nelles passed away in 1959, six years after a suffering a stroke, and the guitar remained in its case with the strings loosened off for the next 50 years.
This is a museum quality example of Gibson’s first modern flat-top guitar. It’s also a museum quality specimen of Blues Legend Robert Johnson’s Fabled guitar. And if that doesn’t interest you, it is among the finest sounding vintage Gibsons you will ever encounter. 1-3/4” nut, round neck carve, 24.25” scale, 5 – 7 64ths action.
With original case, in similar condition; picks, riser-nut, and steel bar.
SOLD
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